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Theater
Stanford Theater Lab’s ‘Gnit’ balances comedy and cruelty
Alessandro R.L. Hall
•
June 6, 2017
Does ‘Disrupt!’ disrupt? A few thoughts on Ram’s Head’s original musical
Madelaine Bixler
•
June 5, 2017
Living while funny: an appreciation of Tina Fey and Amy Poehler
Olivia Popp
•
June 4, 2017
‘Purple Cloud’ shines as it explores the struggles of mixed-race identity and experience
Elizabeth Gerson
•
June 2, 2017
Q&A: Daveed Diggs muses on fame, the accessibility of theater
Olivia Popp
and
Carlos Valladares
•
May 26, 2017
‘No Hero’ at Roble Gym is ‘a multimedia masterwork’
Alli Cruz
•
May 25, 2017
An evening with Daveed Diggs at Dinkelspiel
Carlos Valladares
•
May 25, 2017
‘Autobiography of a Terrorist’ seeks to redefine preconceptions, misconceptions and reality
Olivia Popp
•
May 25, 2017
A tale of two sisters: ‘You for Me for You’ questions truth and reality in North Korea
Olivia Popp
•
May 19, 2017
BLACKstage’s ‘Ragtime’ reverberates with hope and strife
Alli Cruz
•
May 14, 2017
Through our darkest times, ‘The Laramie Project’ offers healing and hope
Alessandro R.L. Hall
•
May 11, 2017
‘Saint Joan of the Stockyards’ gives power to the people
Alessandro R.L. Hall
•
May 5, 2017
Let’s talk about violence: ‘The Wild Party’ and the performance of survivor solidarity
Madelaine Bixler
•
April 27, 2017
Love and hamsters: ‘Breeders’ explores the definition of family
Alessandro R.L. Hall
•
April 16, 2017
Ram’s Head Theatrical Society’s ‘Wild Party’ brings out the party animal in us all
Alli Cruz
•
April 14, 2017
‘To Sleep To Dream’ challenges our knowledge of conventional films
Alessandro R.L. Hall
•
April 11, 2017
42nd Street Moon’s ‘New Girl in Town’ reinvigorates an old musical with a fresh take
Olivia Popp
•
April 11, 2017
‘Silence! The Musical’ brings raucous fun to San Francisco
Olivia Popp
•
April 11, 2017
TAPS’s ‘The Tempest’ conjures a storm of originality and wit
Alli Cruz
•
March 3, 2017
StanShakes’ “Macbeth” is wickedly entertaining
Alli Cruz
•
Feb. 23, 2017
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