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Theater
An evening with Daveed Diggs at Dinkelspiel
Carlos Valladares
•
May 25, 2017
‘Autobiography of a Terrorist’ seeks to redefine preconceptions, misconceptions and reality
Olivia Popp
•
May 25, 2017
A tale of two sisters: ‘You for Me for You’ questions truth and reality in North Korea
Olivia Popp
•
May 19, 2017
BLACKstage’s ‘Ragtime’ reverberates with hope and strife
Alli Cruz
•
May 14, 2017
Through our darkest times, ‘The Laramie Project’ offers healing and hope
Alessandro R.L. Hall
•
May 11, 2017
‘Saint Joan of the Stockyards’ gives power to the people
Alessandro R.L. Hall
•
May 5, 2017
Let’s talk about violence: ‘The Wild Party’ and the performance of survivor solidarity
Madelaine Bixler
•
April 27, 2017
Love and hamsters: ‘Breeders’ explores the definition of family
Alessandro R.L. Hall
•
April 16, 2017
Ram’s Head Theatrical Society’s ‘Wild Party’ brings out the party animal in us all
Alli Cruz
•
April 14, 2017
‘To Sleep To Dream’ challenges our knowledge of conventional films
Alessandro R.L. Hall
•
April 11, 2017
42nd Street Moon’s ‘New Girl in Town’ reinvigorates an old musical with a fresh take
Olivia Popp
•
April 11, 2017
‘Silence! The Musical’ brings raucous fun to San Francisco
Olivia Popp
•
April 11, 2017
TAPS’s ‘The Tempest’ conjures a storm of originality and wit
Alli Cruz
•
March 3, 2017
StanShakes’ “Macbeth” is wickedly entertaining
Alli Cruz
•
Feb. 23, 2017
Theater review: “The Mammaries of Tiresias” shatters our patriarchal society
Elizabeth Gerson
•
Feb. 23, 2017
“The Vagina Monologues” grabs back female empowerment
Alli Cruz
•
Feb. 16, 2017
Theater review: The Original Winter One Acts bring psychological depth to student theater
Elizabeth Gerson
•
Jan. 19, 2017
Theater review: Life ain’t a cabaret for At The Fountain’s ‘Oh Say, Can You Sing?’
Alejandra Aguilar
•
Dec. 6, 2016
Arts & Life
Stanford Women* in Theater’s “Merchant of Venice” shakes Shakespeare up
Olivia Witting
•
Nov. 23, 2016
AATP’s “Durango” details family breakdown with honesty and hope
Elizabeth Gerson
•
Nov. 18, 2016
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