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review
Screen
What to watch: The baroque brilliance of ‘Face/Off’
Mark Huerta
•
Oct. 11, 2020
Screen
Should we be wary of AI? ‘Coded Bias’ says yes.
Kirsten Mettler
•
Oct. 6, 2020
Arts & Life
Frameline 44, part 1: A festival at your fingertips
Olivia Popp
•
Sept. 22, 2020
Video Games
The best part about ‘Valorant’? Its potential.
Michael Espinosa
•
Sept. 1, 2020
Television
‘The Umbrella Academy’: second season gives a compelling portrayal of 1960s America
Prithi Srinivasan
•
Aug. 13, 2020
Arts & Life
‘Brooklyn Nine-Nine’: A progressive show?
Gil Abend-David
•
July 11, 2020
Reads
Bolaño and Deleuze: The exhilaration of nomadic wanderings and writings
Jasmine Liu
•
June 10, 2020
Reads
‘Minor Details’ hiding in the desert sands
Jasmine Liu
•
May 23, 2020
Arts & Life
Disappearances unexplained in ‘Colorless Tsukuru Tazaki and His Years of Pilgrimage’
Leah Chase
•
May 20, 2020
Arts & Life
Haruki Murakami’s involuntary freedom
Owen Shen
•
May 18, 2020
Reads
‘Little Gods,’ big distances
Lily Zhou
•
May 14, 2020
Arts & Life
Esty and Edna: Uncovering the parallels between Netflix’s ‘Unorthodox’ and Chopin’s ‘The Awakening’
Roberta Gonzalez Marquez
•
May 13, 2020
Reads
No longer preserved: A retrospective of Naguib Mahfouz’s ‘Palace Walk’ (غير محفوظ: “بين القصرين”, كتاب نجيب محفوظ)
Omar Rafik El-Sabrout
•
May 4, 2020
Reads
Living artistically with ‘Tropic of Cancer’
Carly Taylor
•
May 1, 2020
Arts & Life
Everybody can be everybody, but only in the cast of ‘Everybody’
Khuyen Le
•
March 16, 2020
Arts & Life
Women lift women in ‘They Promised Her the Moon’
Anupriya Dwivedi
•
March 15, 2020
University
University responds to over 90 student-submitted questions on sexual violence
Kate Selig
•
Feb. 10, 2020
Reads
The lonesome storybuilder
Scott Stevens
•
Feb. 4, 2020
Arts & Life
Entering ‘The White Door,’ the latest from Rusty Lake developers
Dax Duong
•
Jan. 14, 2020
Arts & Life
The ‘Anastasia’ Tour features soaring music, but some performances flutter
Chloe Wintersteen
•
Jan. 5, 2020
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