review

Photo of ‘La Llorona: A New Horror Musical”, directed by Obed de La Cruz and presented by Ram’s Head Theatrical Society

‘La Llorona: A New Horror Musical’ is a tale for moving on

Christine Delianne
  •  
March 17, 2021
cover of "All Girls" with a blue and green plaid cloth background

Emily Layden’s ‘All Girls’ tackles growing up, sexual assault and privilege

Kyla Figueroa
  •  
March 14, 2021
a plain cover of "Molloy" with the title in green text, and a blue plastic bicycle

Classics for quarantine: Immobility in ‘Molloy’

Lily Nilipour
  •  
March 3, 2021
right: cover of "The Scapegoat," with a crow carrying a cross flying above a church; left: headshot of author Sarah Davis

Sara Davis’ ‘The Scapegoat’: A Lynchian mystery set at Stanford

Carly Taylor
  •  
Feb. 25, 2021
cover image of "Love in the Time of Cholera" - a woman reclining in the foreground amidst leaves

Classics for quarantine: Duration in ‘Love in the Time of Cholera’

Lily Nilipour
  •  
Feb. 24, 2021
headshot of Angie Thomas, author of "The Hate U Give"

Recommended reads for Black History Month

Carly Taylor, Kyla Figueroa, Lily Nilipour, Kirsten Mettler, Richard Coca and Valerie Trapp
  •  
Feb. 23, 2021
A desk arrangement of a copy of William Faulkner's "The Sound and the Fury," a clock, a pencil, and a notepad

Classics for quarantine: Time in ‘The Sound and the Fury’

Lily Nilipour
  •  
Feb. 17, 2021
a starkly lit office row of empty cubicles

Identity, absurdity and loneliness in ‘Temporary’

Cindy Xin
  •  
Feb. 8, 2021
Madeleine Thien. (Photo: Simon Fraser University)

Rewriting time in ‘Do Not Say We Have Nothing’

Lily Zhou
  •  
Feb. 7, 2021
Arts & Life
A black-and-white, vintage image of Wanda and Vision on a couch.

Wondering about ‘WandaVision’: season 1, episode 1, 2 and 3 recap

Kyla Figueroa
  •  
Feb. 2, 2021
Arts & Life
Courtesy of Netflix

Netflix’s ‘Selena: The Series’ is reminiscent of the 1997 film

Rosana Maris Arias
  •  
Jan. 25, 2021
Arts & Life
A colorful, abstract book cover.

Glennon Doyle plays God in new memoir ‘Untamed’

Valerie Trapp
  •  
Nov. 15, 2020
Screen
Chang-rae’s mother (Jackie Chung) and Chang-rae (Justin Chon) consider their relationship in Wayne Wang’s “Coming Home Again.” (Photo: Outsider Pictures)

‘Coming Home Again’ is a subtle tribute to Asian American intergenerational grief and communication

Olivia Popp
  •  
Nov. 9, 2020
Arts & Life
A vintage-looking headshot of Ariana Grande. Her hands gently rest against her face as she looks off to the side.

Ariana Grande’s ‘Positions’ expresses the fear of finding love after healing

Ron Rocky Coloma
  •  
Nov. 1, 2020
Screen
(Graphic: CHASITY HALE/The Stanford Daily) (Photo: Gramercy Pictures)

Movies to watch in quarantine: ‘Fargo’

Mark York and Nitish Vaidyanathan
  •  
Oct. 27, 2020
Screen
sacha baron cohen holds an american flag and smiles with a surgical mask on his forehead

Borat is up to his old tricks in a new and divided America

Jared Klegar
  •  
Oct. 26, 2020
Arts & Life
Photo: Netflix

‘Emily in Paris’ is a cog in the machine of capitalism

Valerie Trapp
  •  
Oct. 25, 2020
Local
Photo: KATHRYN ZHENG/The Stanford Daily

In reversal, county board approves audit of schools’ sexual violence policies

Kathryn Zheng
  •  
Oct. 20, 2020
Screen
cast of "superstore" standing in a line wearing masks

Stanford alums’ ‘Superstore’ delivers real comedy while taking on important topics

Rosana Maris Arias
  •  
Oct. 20, 2020
Screen
Clint Eastwood on the poster of "A Fistful of Dollars"

What to watch: ‘A Fistful of Dollars’ (1964)

Mark Huerta
  •  
Oct. 20, 2020
The Stanford Daily

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