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On Campus
Under smoky skies, community members share ‘Rooted Words’ on the Farm
Claire Thompson
•
Oct. 18, 2017
‘The Centennial Exhibition’: Reveling in Pedro de Lemos’ history and simplicity
Julia Gordon
•
Oct. 18, 2017
Hope Gangloff’s portraits fuse intimacy and fine art
Shannen Torres
•
Oct. 17, 2017
Spencer Finch’s ‘Betelgeuse’ inspires childlike awe
Angelica Jopling
•
Oct. 16, 2017
100 films to watch at Stanford
Carlos Valladares
•
Oct. 11, 2017
Arts & Life
Jazz is hard and life is easy with Mads Tolling & The Mads Men: ‘Playing the 60s’
Olivia Popp
•
Oct. 11, 2017
Opening doors for arts careers: Stanford’s Summer Internship Program in Arts Administration
ZaZu Lippert
•
Aug. 27, 2017
Rio, Bravo! Anat Cohen & Choro Aventuroso at Stanford Jazz
Michelle Wong
•
July 28, 2017
Reflections on funk and punk
Dylan Grosz
•
June 8, 2017
Stanford Theater Lab’s ‘Gnit’ balances comedy and cruelty
Alessandro R.L. Hall
•
June 6, 2017
Does ‘Disrupt!’ disrupt? A few thoughts on Ram’s Head’s original musical
Madelaine Bixler
•
June 5, 2017
‘Purple Cloud’ shines as it explores the struggles of mixed-race identity and experience
Elizabeth Gerson
•
June 2, 2017
Q&A: Daveed Diggs muses on fame, the accessibility of theater
Olivia Popp
and
Carlos Valladares
•
May 26, 2017
‘No Hero’ at Roble Gym is ‘a multimedia masterwork’
Alli Cruz
•
May 25, 2017
An evening with Daveed Diggs at Dinkelspiel
Carlos Valladares
•
May 25, 2017
Zedd dazzles Stanford at Frost
Trenton Chang
•
May 24, 2017
Caleb Nott of Broods on movements that make you move
Trenton Chang
•
May 19, 2017
BLACKstage’s ‘Ragtime’ reverberates with hope and strife
Alli Cruz
•
May 14, 2017
Linda Uyechi and Steve Sano discuss Taiko at Stanford and around the world
Maimi Higuchi
•
May 7, 2017
‘Saint Joan of the Stockyards’ gives power to the people
Alessandro R.L. Hall
•
May 5, 2017
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