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Arts & Life
Music
Kendrick Lamar’s halftime show: A revolution televised
Joanne dePierre
•
Feb. 11
Culture
Original musical ‘Fading In’ by Jessica Korobkin ’27 opens conversation around eating disorders
Audrey Chang
•
Feb. 11
Screen
‘Bringing Up Baby’ (1938) is a rom-com gem
Mason Barrett
•
Feb. 11
Music
Frost Fest 2025 headliner revealed: Doechii takes center stage
Joanne dePierre
•
Feb. 11
Reads
‘Panoply of Pop-Ups’ exhibition unfolds at the Bowes Art and Architecture Library
Kayla Chan
•
Feb. 10
Culture
A gargantuan table, but no one is fed: ‘FOOD’ is a spectacle
Rani Chor
•
Feb. 10
Reads
In ‘Les Obsessions D’un Poète,’ Gheed El Bizri ’25 questions art, dreams and obsessions
Catherine Wu
•
Feb. 10
Music
The 2025 Grammys cements itself as the best in years
Madisyn Cunningham
•
Feb. 9
Music
Bad Bunny’s full-circle moment: The heart and depth of ‘DeBí TiRAR MáS FOToS’
Joanne dePierre
•
Feb. 9
Culture
Stanford’s ‘Scrubcast’ podcast: Stories of surgeons behind the scrubs
Catherine Wu
•
Feb. 6
Reads
Meet Heike Daldrup-Link: Radiologist and author of medical mystery novels
Catherine Wu
•
Feb. 6
Reads
‘A pillar of the community’: Feldman’s Books, Menlo Park’s creative hub
Sanaya Robinson-Shah
•
Feb. 5
Music
Made a mixtape, hope you like it: Courtney Love from Hole
Amanda Altarejos
•
Feb. 4
Events
Tommy Orange presents on writing and pretending
Cate Burtner
•
Feb. 3
Music
Pulse: ‘Wicked’: Holding space for difference
Madisyn Cunningham
•
Feb. 3
Screen
Her POV: ‘The Last Showgirl’ is a moving glimpse of an artist’s journey
Blyss Cleveland
•
Feb. 2
Screen
Best of 2024 ranked: Five movies that made me feel things
Dyllan Han
•
Jan. 30
Culture
How the Cardinal Ballet Company brings ‘The Nutcracker’ to life year after year
Kaelyn Tan
•
Jan. 30
Reads
Feminist philosopher Judith Butler interrogates the novelistic form
Dyllan Han
•
Jan. 29
Culture
Looking and Feeling: The psychological intensity of an unusual Parisian portrait
Weili Jin
•
Jan. 29
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