Tuesday, November 5th, 2024

art

Toxic work culture at the Cantor pushes employees out, interventions fall short

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Aug. 17, 2020

A quarantine essential: Olivia Laing’s history of loneliness and art in New York City

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July 17, 2020

Creative reencounters with research in Art of Science 2020 Exhibition

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June 11, 2020

Art in Quarantine: Picasso’s Portraits of Francoise Gilot

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May 29, 2020

Stephanie Shih’s food ceramics and Asian American nostalgia

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May 22, 2020

Quarantine Gallery SU: Sharing student art during social distancing

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May 19, 2020

Writing my thesis at the end of the world

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May 18, 2020

Miao Ying’s playful take on the Chinese internet

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May 7, 2020

Museums from Home

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April 13, 2020

Lost colors and the fading scream

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April 1, 2020

Starting my own clothing brand

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March 1, 2020

Biting into ‘Layer Cake’

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Feb. 25, 2020

How to stop Stanford from stifling your creativity

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Jan. 30, 2020

They aren’t lying about social dance

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Jan. 28, 2020

Diverse, inclusive, modern: Say ‘YO’ to the new Cantor

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Jan. 21, 2020

‘We See You’: Chanel Miller book club concludes with art, dialogue

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Nov. 20, 2019

Illuminating ITALIC: An exploration of Stanford’s arts-focused residential program

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Nov. 13, 2019

Mesmerized by ‘The Melancholy Museum’

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Oct. 2, 2019

Professional Art Society of Stanford founders reflect on legacy, opportunities opened as group transitions to new leadership

Anahita Srinivasan

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July 31, 2019

‘Island Universe’ at Cantor models theories of our existence

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July 21, 2019