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film

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A graphic of characters from "Avatar," "Insecure," and "High School Musical"

How Stanford women, fictional and real, transform the university’s image in films

Aarushi Dedhiya
  •  
April 5, 2023
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Film strips from "The Horse on Motion."

How the first moving picture originated from a Stanford controversy

Alexandra Blum
  •  
April 3, 2023
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A graphic with the writings "The Adaptations: The Secret Life of Walter Mitty

The Adaptations: ‘The Secret Life of Walter Mitty’

Ellen Abraham
  •  
March 16, 2023
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A rearview perspective of a couple on a couch with a cartoon heart in between them and the text "How to Lose a Guy in 10 Days" above.

The One: ‘How to Lose a Guy in 10 Days’ has not lost our attention

Lauren Koong
  •  
March 15, 2023
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Stills from the film "Guillermo del Toro's Pinocchio," "Everything, Everywhere, All at Once," "The Whale," and "All Quiet on the Western Front," with a trophy and the sentence "The Oscars Recap" overlayed.

Cocaine bear, fighter jets and wiener fingers: A rundown of the 95th Oscars

Lauren Boles
  •  
March 15, 2023
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Graphic of the movie posters for the 2023 Oscars' best picture nominees.

Oscars crash course: Lightning reviews of all ten Best Picture nominees

Sam Waddoups
  •  
March 9, 2023
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Featured artists at the Cantor sitting in front of a painting.

Death, Swamps and Eggs: Discussing performance-based video ‘Mourning Rituals’ at the Cantor

Lauren Boles
  •  
March 5, 2023
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Outline of characters from "Knock at the Cabin," with the text of the title overlaying the images.

M. Night Shyamalan’s latest twist? Making bad movies

Kirsten Mettler
  •  
March 1, 2023
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Brendan Fraser depicted with a black backdrop and text to the left that says "The Whale."

‘The Whale’ sinks, but Fraser makes waves

Kirsten Mettler
  •  
Feb. 6, 2023
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A drawing of the outline of a father and son sitting on the couch watching TV together. The background is black with the outlines drawn in white. At the bottom of the drawing are the words "films my father loves."

Films My Father Loves: In spite of everything, ‘Life is Beautiful’

Allan Lopez
  •  
Feb. 1, 2023
The Grind
A man laying in bed, next to a keyboard that he places a single hand on.

Excerpt: Autumn, grief, loss and other things

Kyla Figueroa
  •  
Feb. 1, 2023
The Grind
Three actors are lying down, sprawled across three descending stair slabs.

An invitation to reconsider: The role of the actor

Yonatan Laderman
  •  
Jan. 30, 2023
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On a tan background is a graphic of a blue television set with the photo of a cartoon fox wearing a white human shirt. Next to the television set is the caption: "what to watch week 8."

What to watch week 8 of fall quarter: Comfort films

Amelia Butala
  •  
Nov. 16, 2022
Arts & Life
Four panelists, including Sindeeva and filmmaker Vera Krichevskaya, sit on a large wooden stage in blue armchairs. Behind them is a red paneling with the words "Stanford University," and above them is a screen with the projected words: "Tango with Putin: Fighting for Free Media in Russia." Several audience members sit in seats below them.

Untangling from the Russian state: Russian independent journalists’ ‘Tango with Putin’

Linda Liu
  •  
Oct. 2, 2022
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Adam Sandler, bearded, walks in a large glass building with a large Philadelphia 76ers logo statue behind him.

Making it to the top: A review of Jeremiah Zagar’s ‘Hustle’

Shafiul Haque
  •  
Sept. 27, 2022
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Text at bottom reads: "Don't Worry Darling." Cut-outs of Harry Styles, left, and Florence Pugh, right, in red carpet make-up and attire sit over a green background with blue and red brush marks.

Mis-flow: ‘Don’t Worry Darling’ exposes the troubling state of Hollywood

Peyton Lee
  •  
Sept. 25, 2022
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Elvis Presley, Delbert Sonny West, and Jerry Schilling meeting Richard Nixon

“Elvis” falls short of a genuine and raw insight of the rock star

Roxana Gosfield
  •  
July 16, 2022
Arts & Life
Graphic of a clapperboard (used in movie production for audio syncing/knowing which take is which) with the text: "Combing the 100% Club: 'Leave No Trace'". Also on the clapperboard are three tomatoes.

Combing the 100% Club: ‘Leave No Trace’ balances social critique with gentle hope

Malia Mendez
  •  
June 7, 2022
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Three people sit in chairs.

Poetry Into Film Festival illuminates the depth of Stanford’s artistic community

Chloe Anne Walsh
  •  
May 15, 2022
Arts & Life
Green title text for the film, spelling "Morbius"

‘Morbius’ sucks: meet the Sony/Marvel vampire flop

Kirsten Mettler
  •  
April 6, 2022
The Stanford Daily

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