documentary

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The words SHH on a black background

Fleet Street experiments with horror in original short film ‘SHH’

Melita D’Souza
  •  
April 30
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Photo of Filmmaker Elizabeth Lo's MFA ’15 latest film, “Mistress Dispeller."

Q&A: Elizabeth Lo’s MFA ’15 ‘Mistress Dispeller’ examines a unique solution to China’s rising infidelity rate

Blyss Cleveland
  •  
April 15
News
Director Jen Karson-Strauss answers questions during a Q&A.

Screening of ‘SAVE: The Katie Meyer Story’ brings reflection on Meyer’s legacy to campus

Rebecca Byers
  •  
Feb. 17
Culture
The luminous painting, “Lose Your Mind and Make A New One,” opens the Anderson Collection’s exhibition of Alteronce Gumby’s works. (Courtesy of Grace Liang)

Alteronce Gumby at the Anderson Collection casts earthly elements in a new light

Grace Liang
  •  
Feb. 15
Reviews
Billie Eilish's final show of her Hit Me Hard and Soft tour was steeped in emotion — and will luckily be immortalized in her forthcoming documentary. (Courtesy of Henry Hwu)

A soft ending, hit hard: Billie Eilish’s intimate tour finale at the Chase Center

Joanne dePierre
  •  
Nov. 30
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The McMurtry Building for Art & Art History. (Photo: UDIT GOYAL/The Stanford Daily)

A screening of ‘The Six’ reveals untold stories

Emerson Prentice
  •  
Oct. 28
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Katie Meyer in soccer gear looks to the side

Sitting with Katie Meyer’s story in ‘Save’

Dan Kubota
  •  
June 3, 2025
Film
In the film viewing and Q&A session, panelists discussed the exploitation of Congolese resources and the environmental future they envision. (Courtesy of E'jazz Mason)

‘Remember what has been dismembered’: Congolese voices at Environmental Justice Film Festival

Riley Casagrande
  •  
May 13, 2025
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Three people sitting on the stage of an auditorium.

Sean Penn reveals Ukraine’s ‘Superpower’ and calls for military aid

Rani Chor
  •  
Jan. 24, 2024
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Three speakers sit in chairs under a large screen presenting slides

‘The Killing of a Journalist’: Slovakia’s struggle against corruption

Olena Bogdan
  •  
Oct. 29, 2023
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Maddie Weinstein (first from left), director George Csicsery (second from left), student inventor Tahoura Nedaee '25 (second from right) and Jasmina Bojic, Stanford Arts Camera as Witness Program Director and Founder of the international documentary festival UNAFF (last on right)

Secrets of the surface: An inspiring story of passion and tenacity

Mirelys Mendez-Pons
  •  
Feb. 21, 2023
Arts & Life
A pink-toned graphic with a movie camera on it.

Why Amanda Seyfried won a Golden Globe for ‘The Dropout’

Peyton Lee
  •  
Jan. 11, 2023
Arts & Life
Four panelists, including Sindeeva and filmmaker Vera Krichevskaya, sit on a large wooden stage in blue armchairs. Behind them is a red paneling with the words "Stanford University," and above them is a screen with the projected words: "Tango with Putin: Fighting for Free Media in Russia." Several audience members sit in seats below them.

Untangling from the Russian state: Russian independent journalists’ ‘Tango with Putin’

Linda Liu
  •  
Oct. 2, 2022
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The entrance to Lowell Public High School in San Francisco

‘Try Harder!’ is a concerning glimpse into the world of competitive college admissions

Eric Zhu
  •  
April 7, 2022
Arts & Life
Cover art for 'Imagine a Body'

Q&A: Filmmaker Connor O’Keefe MFA ’22 to premiere revolutionary short film with The New Yorker

Kathlynn Yao
  •  
Jan. 24, 2022
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Students stand on stage in front of a projector screen.

FILMPROD 114 showcases potential for student film scene at Stanford

Bhumikorn Kongtaveelert
  •  
Dec. 5, 2021
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A room with audience members looking at a projector screen that says "UNAFF 2021."

Screening of Nefise Özkal Lorentzen’s documentary calls for a revolution in our perception of Islam

Leyla Yilmaz
  •  
Nov. 14, 2021
Film
Filmmaker Kevin Jerome Everson stands in front of a projector

Dedicated to democracy: Filmmaker Kevin Jerome Everson discusses documentary ‘Tonsler Park’

Lena McEachern
  •  
Oct. 24, 2021
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April and Kendra standing together.

Q&A: Brooke Swaney ’03 on her new film ‘Daughter of a Lost Bird’

Jared Klegar
  •  
Oct. 21, 2021
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A man wearing a hazmat suit, a mask and purple gloves, staring into the camera.

Camera As Witness program illuminates relevant issues with 4 inspiring films

Thea Dai
  •  
Oct. 7, 2021
The Stanford Daily

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