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documentary

Screen
Three people sitting on the stage of an auditorium.

Sean Penn reveals Ukraine’s ‘Superpower’ and calls for military aid

Rani Chor
  •  
Jan. 24, 2024
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Three speakers sit in chairs under a large screen presenting slides

‘The Killing of a Journalist’: Slovakia’s struggle against corruption

Olena Bogdan
  •  
Oct. 29, 2023
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Maddie Weinstein (first from left), director George Csicsery (second from left), student inventor Tahoura Nedaee '25 (second from right) and Jasmina Bojic, Stanford Arts Camera as Witness Program Director and Founder of the international documentary festival UNAFF (last on right)

Secrets of the surface: An inspiring story of passion and tenacity

Mirelys Mendez-Pons
  •  
Feb. 21, 2023
Arts & Life
A pink-toned graphic with a movie camera on it.

Why Amanda Seyfried won a Golden Globe for ‘The Dropout’

Peyton Lee
  •  
Jan. 11, 2023
Arts & Life
Four panelists, including Sindeeva and filmmaker Vera Krichevskaya, sit on a large wooden stage in blue armchairs. Behind them is a red paneling with the words "Stanford University," and above them is a screen with the projected words: "Tango with Putin: Fighting for Free Media in Russia." Several audience members sit in seats below them.

Untangling from the Russian state: Russian independent journalists’ ‘Tango with Putin’

Linda Liu
  •  
Oct. 2, 2022
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The entrance to Lowell Public High School in San Francisco

‘Try Harder!’ is a concerning glimpse into the world of competitive college admissions

Eric Zhu
  •  
April 7, 2022
Arts & Life
Cover art for 'Imagine a Body'

Q&A: Filmmaker Connor O’Keefe MFA ’22 to premiere revolutionary short film with The New Yorker

Kathlynn Yao
  •  
Jan. 24, 2022
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Students stand on stage in front of a projector screen.

FILMPROD 114 showcases potential for student film scene at Stanford

Bhumikorn Kongtaveelert
  •  
Dec. 5, 2021
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A room with audience members looking at a projector screen that says "UNAFF 2021."

Screening of Nefise Özkal Lorentzen’s documentary calls for a revolution in our perception of Islam

Leyla Yilmaz
  •  
Nov. 14, 2021
Film
Filmmaker Kevin Jerome Everson stands in front of a projector

Dedicated to democracy: Filmmaker Kevin Jerome Everson discusses documentary ‘Tonsler Park’

Lena McEachern
  •  
Oct. 24, 2021
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April and Kendra standing together.

Q&A: Brooke Swaney ’03 on her new film ‘Daughter of a Lost Bird’

Jared Klegar
  •  
Oct. 21, 2021
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A man wearing a hazmat suit, a mask and purple gloves, staring into the camera.

Camera As Witness program illuminates relevant issues with 4 inspiring films

Thea Dai
  •  
Oct. 7, 2021
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A film poster graphic for Seaspiracy.

Are documentaries worth making?

Sanjoli Gupta
  •  
Sept. 4, 2021
Arts & Life
(Courtesy of Sundance Institute)

Sundance 2021, part 7: ‘Flee’

Olivia Popp
  •  
June 3, 2021
Arts & Life
(Photo: New Day Films)

‘95 and 6 to Go’ touchingly presents love, loss and history

Rosana Maris Arias
  •  
April 29, 2021
Arts & Life
Photo: Netflix

Ariana Grande’s ‘excuse me, i love you’ captures the hearts of long-time enthusiasts

Ron Rocky Coloma
  •  
Jan. 20, 2021
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Courtesy of Netflix

In ‘Dick Johnson Is Dead,’ father and daughter confront death on their own terms

Jared Klegar
  •  
Oct. 13, 2020
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Courtesy of the Sundance Institute

Should we be wary of AI? ‘Coded Bias’ says yes.

Kirsten Mettler
  •  
Oct. 6, 2020
Research
Photo courtesy of Dexter Sterling Simpson

‘Brain Bridges’: Stanford senior makes documentary on global talent flow

Matthew Turk
  •  
Oct. 5, 2020
Arts & Life
Lions Gate Films

15 years later: ‘Grizzly Man’ bears continued relevance in the narrative of humans vs. nature

Daniel Shaykevich
  •  
Sept. 27, 2020
The Stanford Daily

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